Less a blog, more a stream of consciousness and random
bullshit.
As little, or more precisely nothing, is happening in the
world of Iamaphoney I am forced to postulate and speculate, to hypothesise and
theorise, to deduce and divine through the infinitesimal scraps of information to
produce an offering for you, my tiny band of electronic followers.
And, in the absence of anything vaguely original, that is
precisely what I have done.
Whilst recently trawling through my Facebook timeline and
its endlessly tedious montage of meme’s, videos of cats and photos of people’s
dinner I came across an invitation to like a page entitled CosmaniaVision
which appears to be run by the new Iamaphoney.org cohorts of MikeyNL and his
pals. Now, if this represents a total transference of phoney power from Denmark
to Holland I am unsure, however, the Facebook page describes itself as a ‘Church/Religious
Organization’. No doubt this is purely for tax purposes, however, wary that I
may be converted to Scientology by osmosis I continued with caution.
For the uninitiated, or the couldn’t give a shits, CosmanIAvision.com
(with the inferred CIA capitalisation) was a domain name connected to
Iamaphoney and is derived from a Paul McCartney album ‘Memory Almost Full’ where
he credits himself as ‘His Royal Highness the King of Cosmania’. Our friend
Iamaphoney then revealed that ‘the King of Cosmania’ is an anagram for ‘Son of the
Magickian’ which, in turn, leads to a whole heap of related Crowley connotations,
not the least being Crowley’s Book of the Law.
The Book of the Law is an oft-repeated theme within the
videosities of Mr Phoney and the sorely missed Tafultong Iamaphoney blog
directs us to a phoney offshoot video by the King of Cosmania entitled ‘its
time’.
Now the fledgling CosmaniaVision Facebook page has but a few
offerings, but they are, nonetheless, intriguing. Entitled Phoney Phoughts they
redirect attention to Memory Almost Full and Crowley. I shall now quote
directly;
Phoney Phoughts: At
his 2007 album “Memory Almost Full” which is an anagram of ” For My Soulmate
LLM” (Linda Louise McCartney), Paul credits himself “The King Of Cosmania” and
it turns out that the anagram of “The King Of Cosmania” is “Son Of The
Magickian”.
What is a Son Of The
Magickian? It is a devotee of the Magician Aleister Crowley, the man who called
himself The Beast 666, the man who invented Magic with a K. Magick! In his book
Magick he describes how to practice magick by speaking and playing records in
reverse. In the end in order to get power over others.
In 1967, on Sgt. Peppers,
Paul McCartney included a soundbyte in the end, a little reverse snip which
when you play it backwards says: “We’ll All Be Magick Supermen”.
40 years later he did
it again on his 2008 Fireman album “Electric Arguments”.
In the end of the
album there is a little soundbyte in reverse. Backwards it says: Warmer Than
The Sun, Cooler Than The Air.
In an attempt to be a smartarse I offered up an image from
the book of the law and a feeble attempt at an explanation;
Essentially I suggested that maybe ‘Warmer than the SON, Cooler than the HEIR’ was an implied reference to Son
of the magickian and that maybe the dark knight Sir Paul believes he is, in
some way, Crowley’s representative on Earth?
Sadly my missive received no response.
Undeterred by this snub I shall now take my deranged
imaginings into a wider sphere and directly to you my dear readership. And so,
another Phoney Phought;
Phoney Phoughts: The
first thing that hit me was that nobody had ever discovered two of the most
obvious backwards clues. The first one is on ‘StrawberryFieldsForever’ in the
beginning of the chorus; ‘Strawberry Fields, Nothing is real’ . Play that
backwards and what you will hear loud and clear is; ‘We will sing it now’ ‘We
will be reverse’. This is winter 1966-67 and the track Strawberry Fields
Forever is ,to my best knowledge, the first deliberated backwards message ever
recorded and The Beatles gives their listeners a confirmation that one is on
the right track reversing the song and it just might be a good idea keep on
listening in reverse.
My mind was cast back to a previous blog I wrote entitled ‘The
Phoney Document’ in which your intrepid blogster bravely examined the
rumours surrounding a possible fragment of the near mythical Mal Evans book ‘Living
the Beatles Legend’ which Iamaphoney appears to have obtained, or have access
to.
The above document contains a paragraph that reads; ‘It was no unreal and that is why John
invented Strawberry Fields, Nothing is real. he said again and again. We didn't
really understand it until he showed us what wasn't real in the lyrics. John is
a genius a real on[e]. It blew my mind when he played it backwards? What a way
to tell a story. Paul really gave him a new direction?, a new way of art. Good
and bad. Black and white’.
The implications of which are that all the backwards
messages in The Beatles works are genuine and intentional and are, presumably,
inspired by Crowley.
Of course this is only true if the fragment that Iamaphoney
shows of Evans' book is genuine. This is far from certain; however, I have come
across some evidence that proves that Mal had indeed written a book and that it
was ready to print just before his untimely, and suspicious, death.
One wonders if someone was concerned that the ‘Nothing is
Real’ concept was about to be revealed?
So, to recap: The backwards messages in Crowleyana are an
attempt to gain power over other people and this is an aspect that The Beatles
are inducing. Presumably this aspect is also being utilised by Billy Martin and
his plethora of backwards Beatles tunes which are said to derive from ‘Applestar:
It was a fake moustache’ which the phonester claims is an actual Beatles track
that nearly appeared on Anthology 2. More here.
These backwards nuggets are further confirmed by The Beatles
usage of hidden, mirror, messages in their works. Images such as I ONE IX HE
DIE constructed from the Pepper drumskin, LOOK extracted from the Tour part of
Magical Mystery Tour and, of course, the famous IAAP discovery of CODE that
appears, hidden in plain sight as it should be, on the Love album cover.
Mirrored messages about backwards clues hidden in plain
sight.
Let us return to the Phoney Phoughts;
Phoney Phoughts: Why
didn´t they just come clean back then? Can it all be explained by reading ‘The
Book Of The Law’ that states that you are not supposed to pass your knowledge
on as a missionary man, you are only supposed to share the knowledge in very
special ways as lets say reverse speech.
Conventional PID philosophy dictates that the I ONE IX HE
DIE message confers that Paul died.
But what if we are not talking about a physical death but a
metaphorical one? One determined by reading some aspect of the Book of the Law
and interpreting it as implying that there needs to be some sort of death and
rebirth cycle? Hence we have a mysterious trip to Kenya – in disguise – and the
ensuing reappearance of the new, mystical, McCartney now fully able to instruct
us in the Book of the Law via the medium of backwards messages.
In the aforementioned its time video we see an image of
Charles Manson, accompanied by suitably spooky music, saying ‘it’s time’ before
the scene cuts to a shot reaffirming the I I I X theme. This then turns out to
be a mirrored version of the L.I.L.Y. message from the Ram album cover.
L.I.L.Y. is an acronym for Linda I Love You.
So what is the Manson connection?
In another of Iamaphoney’s works entitled Study Cloud 1904 –
of which you can find further analysis here
– we find the following screenshot;
This appears to be an attempt to link McCartney and Manson.
However the video itself utilises numerous shots of the Book of the Law (indeed
its title Study Cloud 1904 is a reference to Crowley having written the book,
supposedly under alien direction from an entity called Aiwass, in 1904) and a
suitcase that Iamaphoney deposited at the Spahn ranch (Manson’s former colony)
which contained a copy of the Book of the Law.
My guess, therefore, and it is only a guess, is that
McCartney – who is ultimately the phoney Crowley – has been indoctrinating us
in the dark arts of Magick via surreptitious backwards messages in his work.
Therefore, anyone listening to said work has been secretly initiated into the
fold; a secret indoctrination.
Furthermore, I speculate that Iamaphoney’s proposed
Revelation was an admission of this that was stopped by McCartney because once
revealed people would not be able to look at McCartney in quite the same way
again.
Perhaps the good people of the Church of CosmaniaVision
would care to comment, or even perhaps the great prophet himself Billy Martin?
